For me, Chicago film photography isn’t just a hobby. It is a philosophy. Whether I am documenting a sweeping urban landscape or a wedding day on film, film demands presence. Digital simply cannot replicate that feeling.
There is a specific kind of patience that only exists when you have exactly 36 frames in your hand. Recently, I spent a day exploring the city with my favorite analog bodies. I traded the rapid-fire shutter of a digital sensor for the deliberate, quiet click of a film camera. Consequently, the day became about more than just a location. I wanted to capture the “soul” of the city through texture and light.

I started my morning at the Art Institute of Chicago. Most visitors were busy snapping quick photos on their phones. However, I stood still. I waited for the light to hit the marble just right. For the grand, quiet halls of the museum and photographs of the artwork, I chose Kodak Gold 400 (pushed 1-stop as I avoided flash). The outside exterior was captured on Lomography Lomochrome ’92.








The way film handles the transition between highlights and shadows in these galleries is unmatched. Specifically, I focused on the “art within the art.” I watched how a shadow fell across a 19th-century sculpture. Moreover, I captured the physical grain of a canvas under the soft museum lights.


After leaving the museum, I walked into the heart of downtown. The energy changed immediately, yet my process stayed the same. Once I finished my Lomo ’92, I used a roll of Kodak E100 for the walk toward Monroe Harbor and Buckingham Fountain. This film offers high saturation and fine grain.
I did not look for standard tourist shots. Instead, I looked for textures. I wanted to see the contrast of cold metal against the organic curves of the Lurie Garden. I take this same approach during a wedding. While the portraits matter, the landscapes and the “feeling” of the venue complete the story.
In Millennium Park, I moved slowly through the gardens. Seeing the city through a viewfinder forces you to notice everything. For example, I watched the wind move the tall grasses against the skyscrapers. It was a reminder that beauty is found in the stillness.

























You might wonder why I choose the “limitations” of film in such a fast-paced city. The truth is, those limitations are actually freedoms. Because I do not check a screen after every shot, I am fully immersed in the moment.
For clients who value a fine-art approach to their wedding day, this is the magic of film. It is not just a photo; it is a tangible memory. The grain and the depth make the images feel human. My day spent practicing Chicago film photography reminded me of an important truth. Whether I am shooting a skyscraper or a bride, I am creating a piece of art that stands the test of time.
If you’re looking for a film photographer for your wedding or just a session, I’d love to chat!
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